Project
TAU Musical Culture Space at the Former MetMash Plant

Category
Best Implemented Interior Design Project for Public Space

About the project (provided by the applicant)
The main hall of TAU, located on the grounds of the former MetMash plant, is a multifunctional venue divided into two zones. The first is dedicated to events and includes a stage, dance floor, bars, and an amphitheater. The second features a lounge, tea room, coworking area, store, and museum space. These areas are separated by volumes that house VIP rooms overlooking the dance floor and stage.
The visual concept is based on a fusion of the site's industrial architecture, the historical legacy of the MetMash plant, and the spatial composition itself. Many of the interior elements reflect the theme of metal pipes, a direct reference to the factory’s metallurgical past. In contrast, bright neon accents are introduced. Combined with exposed concrete and visible engineering systems, this creates a distinctive atmosphere that immerses visitors from any point in the space. The lighting design softens the overall brutalist and industrial aesthetic.

Location
Building 10, Ryazansky Prospect 8A, Moscow, Russia

Project implementation year
2024

Project website
https://tau.place/

Extra visual materials
https://disk.yandex.ru/d/3kABg9xe0DHtPQ

Applicant
Ivan Grigorievich Omelyanchuk, architect

Authors of the project
Design – Ivan Viktorovich Shilnikov and Ekaterina Andreevna Bandura (Cedra Studio). Interior architecture – Elena Vladimirovna Sukhonina and Ivan Grigorievich Omelyanchuk (ArchCLOUD Studio).

Photo
Mikhail Bravy

Customer
LLC “ISKRA”

Other participants
Furniture – Delo, LLC TPK “Felix”, Annki Studio
Lighting – Arlight
Flooring – Forbo linoleum, Kerama Marazzi porcelain stoneware
Custom furniture – LLC TPK “Felix”, LLC “Beni”

Status of the project
Implemented

2025 USERS’ ONLINE VOTING IS COMPLETED.

Premio del Pubblico (People’s Choice) finalists, the absolute winner and winners in the categories will be announced on November 21, 2025.

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